Although I was excited that Sherlock Holmes would once again be facing off against Moriaty in this episde, I was a little worried when I heard it had been written by Stephen Thompson. Stephen's previous episode, The Blind Banker, was the least interesting of Series One, as it dealt with a fairly straightforward and somewhat dated tale of Chinese smuggler gangs. Either Stephen has improved as a writer, or Steven Moffat and Mark Gatiss were more closely involved in developing this script as The Reichenbach Fall is one of the strongest episodes of Sherlock to date.
It came as no surprise to Sherlock Holmes fans that this episode would be based on the story of The Final Problem, a fairly straightforward tale of the battle of wits between Holmes and Moriaty which leads to both of their deaths. What's brilliant about this episode is that it takes one small line about Moriaty's family trying to discredit Holmes after death, and expands on it to create a tale about media image and manipulation. When Sherlock Holmes' ability as a detective is called into question, he is not only risking his life, but the reputation he has built up since becoming famous. In the end, he sacrifices his reputation to save his friends.
It came as no surprise to Sherlock Holmes fans that this episode would be based on the story of The Final Problem, a fairly straightforward tale of the battle of wits between Holmes and Moriaty which leads to both of their deaths. What's brilliant about this episode is that it takes one small line about Moriaty's family trying to discredit Holmes after death, and expands on it to create a tale about media image and manipulation. When Sherlock Holmes' ability as a detective is called into question, he is not only risking his life, but the reputation he has built up since becoming famous. In the end, he sacrifices his reputation to save his friends.
Andrew Scott's interpretation of Moriaty had already made quite an impression in The Great Game, and he was just as fascinating here. Scott is brilliant as the slightly effeminate and bizarre Moriaty, alternating between camp and psychotic. However, if there is ever another series of Sherlock, I really hope they don't bring Moriaty back. He's a great villain, but he shouldn't be diminished by constantly returning and failing to win. He's left such an impression already, and that shouldn't be spoiled.
Benedict Cumberbatch was, as always, brilliant. Series Two has been about showing the cracks in Sherlock's armour as he reveals more of his carefully guarded emotions. He was particularly great when he finally admitted to Molly that he needed her. For a second, I seriously thought that he was asking her to help him lose his virginity.
In spite of the two intellectual giants on display, it's important not to lose sight of how crucial Martin Freeman's ordinary John Watson is to procedings. I loved the fact that it's Watson who feels the most worried about Sherlock's reputation, since he has built his entire recovery from Afghanistan on trusting this man, only to find it ready to shatter. Freeman is also excellant at selling us the death of Sherlock Holmes. His silence in the psychiatrist's office speaks more than words ever could.
It's hard to see where the series could go after this. Three of Sherlock Holmes' best stories have been retold this year and it's difficult to think of anything left to tell. Sherlock's "return from the dead" to deal with Colonel Moran is an obvious one, and I'm personally hoping we get to see John Watson getting engaged to Mary Morstan. If Series 3 ever does come around, then I for one, I will be certain to watch it.
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